JULES de BALINCOURT|
Born in 1972, Paris, France
Lives and works in Brooklyn, NY
MFA, Hunter College, New York, NY 2005
BFA, California College of Arts and Craft, San Francisco, CA 1998
Montreal Museum of Fine Arts, Montreal
Itinerant Ones, Victoria Miro, London
Ecstatic Contact, Salon 94 Bowery, New York, NY
Parallel Universe, Collezione Maramotti, Reggio Emilia, Italy
Jules de Balincourt, Espace Louis Vuitton, Hong Kong
Worlds Together, Worlds Apart, Galerie Thaddaeus Ropac, Paris, France
Premonitions, Deitch Projects, New York, NY
Mori Art Museum, Tokyo, Japan
Malpais, Galerie Thaddeus Ropac, Paris, France
Vanderbilt University Fine Arts Gallery, Nashville, TN
Unknowing Man's Nature, Zach Feuer Gallery (LFL), New York, NY
Allweweresayingwasgivepeaceachance, Mario Diacono at Ars Libri, Boston, MA
Accidental Tourism and the Art of Forgetting, Arndt and Partner, Berlin, Germany
This is Our Town, Zach Feuer Gallery (LFL), New York, NY
Armory Show / LFL Gallery, New York, NY
Land of Many Uses, LFL Gallery, New York, NY
Allston Skirt Gallery, Boston, MA
Space 743, San Francisco, CA
Perch Gallery, Santa Barbara, CA
Soapbox Gallery, Venice, CA
La Belle Peinture 2, organized by L’Institut Français de Slovaquie, Palais Pisztory, Bratislava, Slovakia
Cinematic Visions – Painting at the Edge of Reality, curated by Glenn Scott Wright, James Franco and Isaac Julien, Victoria Miro, London
Brooklyn Artists Ball, Brooklyn Museum, Brooklyn, NY
L’Ange de l’Histoire, curated by Nicolas Bourriaud, Palais des Beaux-Arts, Paris, France
Disaster / The End of Days, curated by Séverine Wealchli and Michael Bracewell, Galerie Thaddaeus Ropac, Paris-Pantin, France
Chicken or Beef?, The Hole, New York, NY
Painting as Radical Form, Collezione Maramotti, Reggio Emilia, Italy
Pothole, Salon 94 Bowery, New York, NY
We Regret to Inform You, Martos Gallery, New York, NY
Visions, Galleria Monica De Cardenas, Milan, Italy
2011 Bridgehampton Biennial, Curated by Bob Nickas, Martos Gallery, Bridgehampton, NY
New York Minute, Garage Center for Contemporary Culture, Moscow, Russia
Facemaker, curated by Kathy Grayson, Royal/T, Los Angeles, CA
Not Quite Open for Business, The Hole, New York, NY
Looking Back / The Fifth White Columns Annual, selected by Bob Nickas, White Columns, New York, NY
The Cannibal’s Muse curated by Max Henry Patricia Low Contemporary, Geneva, Switzerland
The Secret Lives of Trees, Monica de Cardenas, Milan, Italy
10th Havana Biennial, Museo Nacional de Bellas Artes, Havana, Cuba
Mixing It Up: Recent Hunter MFAs Working in Combined Media, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, NY
Return to Function, Madison Museum of Contemporary Art, Madison, WI
Transitions. Painting at the (other) End of Art, Collezione Maramotti, Reggio Emilia, Italy
Cave Painting, PSM, Berlin Germany and Gresham’s Ghost, New York, NY
New York Minute, MACRO Museum of Contemporary Art, Rome, Italy
FUTURESCAPE: Making of the Super City, Contemporary Art Galleries, University of Connecticut, Storrs, CT
STAGES, Deitch Projects, New York, NY
Mail Order Monsters, Max Wigram Gallery, London
21: Contemporary Art at the Brooklyn Museum, Brooklyn Museum of Art, Brooklyn, NY
Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York, NY
I want a little sugar in my bowl, Asia Song Society, New York, NY
Recent Acquisitions, Gifts, and Works from Various Exhibitions 1985-2007, White Columns, NY
Eastern Standard, MASS MoCA, North Adams, MA
Cynicism vs Hope, Perry Rubenstein Gallery, New York, NY
USA TODAY, The Hermitage, St. Petersburg, Russia
Artists of Invention: A Century of CCA, Oakland Museum, Oakland, CA
Past, Present, Future Perfect: Selections from the Ovitz Family Collection, H+R Block Artspace, Kansas City, MO
Art in America: 300 Years of Innovation, Shanghai Museum, China. Organized by the Solomon R. Guggenheim Museum; travels to Guggenheim Bilbao, Spain
Phantasmania, Kemper Art Museum, Kansas City, MO
Poets on Painters, Ulrich Museum, Wichita, KS
Prague Biennial 3, Prague, Czech Republic
Five Painters, Galleri Loyal, Stockholm, Sweden
When We Build Let Us Think That We Build Forever, Baltic Centre for Contemporary Art, Gateshead, United Kingdom
The Stuff What We Bought (Selected Purchases 2007), Archeus, London, UK
USA TODAY, Royal Academy of Art, London, UK.
New York Contemporary: Art Times Squared, Hangart -7, Salzburg, Austria
Our Town, HUT Hudson Untitled Foundation, Hudson, NY
Reverence, Hudson Valley Center for Contemporary Art, Peekskill, NY
Collection 2005/06, Galerie Rodolphe Janssen, Brussels, Belgium
Metro Pictures, The Moore Space, Miami, FL
Down By Law, Whitney Biennial, Whitney Museum of American Art, New York, NY
Don’t Abandon the Ship, Allston Skirt Gallery, Boston, MA
Humor Me, H+R Block Artspace at the Kansas City Art Institute, Kansas City, MO
Notre histoire..., Palais de Tokyo, Paris, France
Greater New York, PS1/MOMA, Queens, NY
Trunk of Humors, Deitch Projects, New York, NY
4 und 4, Muller DeChiara, Berlin, Germany
The Dreamland Artist Club, Creative Time / Coney Island, New York, NY
True Stories, Johnson City Community College Art Gallery, Overland Park, KS
Collection (or How I Spent a Year), PS1/MOMA, New York, NY
Rowdy Remix, ATM Gallery, New York, NY
American Stars ‘n Bars, Chapman University Guggenheim Gallery, Orange, CA
Summer Jam, Peres Projects, Los Angeles, CA College Art Association MFA Selection Exhibition, New York, NY
Today’s Man, John Connelly Presents, New York, NY
My people were fair and had cum in their hair (but now they're content to spray stars from your boughs), Team Gallery, New York, NY
Brooklyn Front, Other Routes (Mixed Greens), Brooklyn, NY
NY Art Hut, Nutty, San Francisco, CA
Southern Exposure, 15th Annual Hospitality House, San Francisco, CA
Collezione Maramotti, Reggio Emilia, Italy
Brooklyn Museum, Brooklyn, NY
Los Angeles County Museum of Art, Los Angeles, CA
MaRT, Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto, Italy
Museum of Contemporary Art, Los Angeles, CA
Oppenheimer - JCCC Collection for the Nerman Museum of Contemporary Art
Wullschlager, Jackie. “Jules de Balincourt, Victoria Miro, London – Review,” Financial Times, November 24, 2013.
Searle, Adrian. “Jules de Balincourt: the Hitchcock of the painting world,” The Guardian, November 19, 2013.
Bommel, Sylvie. “Des Toiles et des Milllions,” Le Parisien Magazine, May 31, 2013, pg. 7, 12-13.
Brisick, Jamie. “Between Strokes,” The Surfer’s Journal, Volume 22, Number 3, June-July 2013, pg. 40-47.
Pancotto, Pier Paolo. “Jules de Balincourt: Collezione Maramotti,” Art Forum, Vol. 51, No. 7, March 2013, pg. 292-293.
Cover of Flash Art (Jules de Balincourt, Power Flower, 2010.), Italian Edition, February 2013.
“Jules de Balincourt: New York Primitivism,” Elephant Magazine, Issue #13, Winter 2012-2013, pg. 120-131, back cover.
“Spotlight Artist: Jules de Balincourt,” Harvard Business Review, January-February 2013, pg. 3, 6-7,16-17, 57, 61, 66-67.
Saltz, Jerry. “Touch of a Master,” New York Magazine, January 7, 2013, pg. 79.
Kerr, Merrily. “Jules de Balincourt, ‘Ecstatic Contact,’” TimeOut New York, Issue 890, January 4, 2013, pg 44.
Barrila, Silvia Anna. “Wirtschaftswunder,” Art Investor, Germany, October 2012, pg. 44-48.
“The Lookout: A Weekly Guide to Shows You Won’t Want to Miss,” Art in America (online), November 29, 2012.
Russell, Andrew. “Read All Over: At Sikkema Jenkins, Mark Bradford’s Medium Is the Message; at Salon 94 Bowery, Jules de Balincourt Is Out at Sea,” The New York Observer (online), October 30, 2012.
D’Acquisto, Germano. “Jules de Balincourt,” Marie Claire, October 2012, pg. 200-205.
Brisick, Jamie, “Free Association: The Paintings of Jules de Balincourt,” Malibu Magazine, September 2012, vol. 10, issue 5, pg. 88-95.
Cashdan, Marcia, “Friends Indeed: New Shows at Salon 94 Bowery and The Hole,” New York Times Magazine Online, June 13, 2012.
Cotter, Holland, “The Latest Vibe Moved to Brooklyn: Bushwick Open Studios,” New York Times, June 7, 2012.
Ruble, Casey, “We Regret to Inform You,” Art in America, September 2011, pg. 130-131.
Cover of FlashArt, July-September, 2011
De Maulmin, Valerie, “Le Cas Balincourt,” Connaissance des Arts, July/August 2011.
“Et le gagnant estÉJules de Balincourt,” L’Oeil #635, May 2011.
Halimi, Serge, “Ne rougissez pas de vouloir la lune,” LE MONDE diplomatique, July 2011.
“Jules de Balincourt,” FigaroScope, June 15, 2011.
“Jules de Balincourt,” L’Express, June 1, 2011.
“Jules de Balincourt: The story behind an artwork, in the artist’s own words,” Modern Painters, Summer 2011.
“Le recordman,” L’Express Styles, June 22, 2011.
Unger, Melissa, “De Balincourt: La Conquete de Nouveaux Far West,” artnet.com, June 2011.
Wallin, Yasha, “Painting the World: Q+A With Jules de Balincourt,” Art in America Online, June 20, 2011.
Viveros-Faune, Christian, “Go Figure: Jules de Balincourt’s ‘Premonitions’,” The Village Voice April 13 2010.
Wolf, Rachel, “Strong Language: Jules de Balincourt’s Dynamic Visual Lexicon is as Eclectic as it is Daring,” Modern Painters April 2010.
Wolff, Rachel, “Jules de Balincourt,” Art and Auction February 2010.
Egan, Maura, “Jules de Balincourt,” Elle Decor June 2009: 42.
Lee, Carol, “The New Irascibles,” Paper October 2009: 44-45, 60-61.
“New York Artists Dictionary/Part I,” Flash Art January-February 2009: 75.
Pieroni, Paul, “Young Americans,” ArtWorld December 2008/January 2009: 48-51.
Urbina, Ian, “Havana Biennial, in Which Chelsea Takes a Field Trip to Cuba,” The New York Times April 1 2009.
Wolff, Zoe, “Spike Jonze and Jules de Balincourt - This Is The Shirt They Wear,” TAR Spring 2009 Issue no. 2: 210-219.
Allsop, Laura, “Evil Under The Sun: Jules De Balincourt,” Artreview June 2008.
Allsop, Laura and Jessika Green, “Consumed,” Art Review April 2008.
“Artists’ Choice: Top 100 Galleries.” Flash Art January / February 2008.
Dagen, Philippe, “Jules de Balincourt et ses collisions d’images picturales pour une utopie urbaine,” Le Monde June 26, 2008.
DeBalincourt, Jules, “Focus: Painting,” Flash Art November-December 2008: 48.
“Elle Paris agenda,” Elle June 9 2008.
Falconer, Morgan, “Jules de Balincourt,” Art World December 2007/January 2008: 78-81.
Falconer, Morgan, “Zach Feuer,” Art World April / May 2008.
Lentini, Lara Kristin, “Jules de Balincourt,” Art Papers January / February 2008.
“Les nouveaux élus des ventes publiques,” La Vie financiëre, Le Monde, July 2008.
Mayer, Arno J. “Les présidents changent, líempire américain demeure” Le Monde diplomatique, September 2008: 14-15.
Pieroni, Paul. “Young Americans” ArtWorld December 2008/January 2009: 48-51.
“Special Project/ Progetto speciale; Jules De Balincourt.” Tema Celeste January/February 2008: 58–63, 2007.
Bedford, Christopher, “Critic's Picks: Jules de Balincourt,” Artforum.com September 22, 2007.
DeBalincourt, Jules, “About Last Night,” V Magazine Spring Preview #45 2007: 56.
Dupuis, Isabelle, “Jules de Balincourt,” Flash Art November/December 2007: 108.
Falconer, Morgan, “Jules de Balincourt,” Art World December 2007/January 2008: 78-81.
“Jules de Balincourt,” The New Yorker September 24, 2007: 62.
McQuaid, Cate, “From Intimacy to Abstraction,” The Boston Globe 25 January 2007.
“Medium cool,” Time Out New York September 6-12, 2007.
Pollack, Barbara, “Jules de Balincourt,” Art News November 2007: 224.
“Power 100: 94. Zach Feuer,” Artreview November 2007.
Pricenthal, Nancy, “Jules de Balincourt at Zach Feuer,” Art in America December 2007: 151-152.
Rosenberg, Karen, “Unknowing Man's Nature,” The New York Times September 14 2007: E41.
Ryzik, Melena, “And Attitude Too,” NYTimes.com UrbanEye Newsletter September 6, 2007.
Spade, Andy, “Across the Multiverse,” CITY September 2007: 60-63.
Viveros-Faune, Christian, “Youth is a Prize (Price?) in Chelsea,” The Village Voice September 25, 2007.
Wehr, Anne, “Jules de Balincourt,” Time Out New York September 20-26, 2007: 83.
Asthoff, Jens, “Jules de Balincourt,” artforum.com, February 27, 2006.
De Ruyter, Thibaut, “The Realistic Naivety of Jules de Balincourt,” art press No. 320, February 2006: 30-33.
Ellis, Patricia, “Catching up with Charles (Saatchi),” Flash Art October 2006.
Finkel, Jori, “Tales from the Crit,” The New York Times April 30, 2006.
Hottinger-Behmer, Stephan, “Art Basel,” V Man Fall 2006: 88.
Meixner, Christiane, “Jules de Balincourt,” Die Welt 25 February 2006: 22.
“Power 100: 70. Zach Feuer,” Artreview November 2006.
Reynolds, Nigel, “Saatchi is ready for another sensation at the RA,” The Telegraph April 5, 2006.
Ruthe, Ingeborg, "Gewissheit ist absurd," Berliner Zeitung No. 29, February 3, 2006: 25.
Sischy, Ingrid, “The New New York School,” Vanity Fair December 2006.
Volzke, Daniel, "Der fremde Strand," Der Tagesspiegel No. 19 094, 4 February 2006.
Berwick, Carly, “Where the scenes are,” New York Magazine March 7, 2005: 38-39.
Boucher, Brian, “Jules de Balincourt at Zach Feuer,” Art In America May 2005: 165.
Eleey, Peter, “Greater New York,” Frieze May 2005.
Featured Artwork, Harper's November 2005.
Featured Artwork, Metropolis no. 3, 2005: 55.
Fitch, Andy, “30 Artists in 30 word,” N+1 Magazine online July 2005.
Halle, Howard, “Jules de Balincourt 'This Is Our Town',” Time Out New York March 31-April 6, 2005: 63.
Heartney, Eleanor, “Return to the Real?” Art in America June/July 2005: 84-89.
Howe, Jeff, “Paint by Numbers,” Wired April 2005: 88.
“Jules de Balincourt,” K48 no. 5, K48 is an animal, 2005.
“Jules de Balincourt,” The New Yorker March 28, 2005.
Kimmelman, Michael, “This Is Your Brain On Pause,” The New York Times April 3, 2005.
Kunitz, Daniel, “Meet the New Folk,” ArtReview April 2005: 44-45.
Lipton, Shana Ting, “A Postcard from Jules de Balincourt,” Blackbook Spring/Summer 2005: 34.
Miller, Francine Koslow, "When Politics Become Form," Tema Celeste July/August 2005: 38-43.
Miller, Ken. “King of Art: Jules de Balincourt.” Tokion November / December 2005.
Mullins, Charlotte, “False Sense of Security,” Financial Times August 13, 2005.
Powhida, William, “Jules de Balincourt,” The Brooklyn Rail April 2005: 25.
Ratner, Megan, “Jules de Balincourt,” Frieze May 2005.
Rosenberg, Karen, “Artists on the Verge of a Breakthrough,” NY Magazine March 7, 2005: 34.
Sayej, Nadja, “Jules de Balincourt." The New York Art World April 2005.
Schwendener, Martha, “Jules de Balincourt,” Artforum.com March 18, 2005.
Wilson, Michael, “Scene and Heard: Beer for Peers,” artforum.com March 16, 2005.
“I Nuovissimi Di New York,” Flash Art June/August 2004: 86.
Levin, Kim, “Shortlist: The Dreamland Artist Club,” The Village Voice June 9-15, 2004: 48.
“Listings,” Time Out New York January 22-29, 2004: 58, 60.
Mar, Alex, “Art Appreciation: Artist Pension Trust,” Artforum November 2004: 85-86.
“P.S. 1 Contemporary Art Center,” The New Yorker March 8, 2004: 16.
Stillman, Nick, “Rowdy Remix / ATM Gallery,” artforum.com June 17, 2004.
Zieher, Scott. “Merry-go-rounds, but no rollercoasters.” Art Review Spring 2004: 37-38, 2003.
Johnson, Ken, “Jules de Balincourt, LFL Gallery,” The New York Times May 30, 2003.
Johnson, Ken, “My People Were Fair,” The New York Times October 31, 2003.
Levin, Kim, “Short List: Jules de Balincourt, Land of Many Uses,” The Village Voice May 28, 2003.
Pollack, Barbara, “The New Visionaires,” Art News December 2003: 92-97.
Saltz, Jerry, “Babylon Rising,” The Village Voice Sptember 10, 2003: 97.
Saltz, Jerry, “Burn, Baby, Burn,” The Village Voice June 3, 2003.
Schambelan, Elizabeth, “Jules de Balincourt, LFL Gallery,” artforum.com May 27, 2003.
Smith, Roberta, “The Art and Artists of the Year,” The New York Times December 28, 2003: AR37.
Gilbert, Rick, “Jules de Balincourt at Soapbox,” Artweek February 2000: 1, 20.
Bellavita, Alessandra and Séverine Waelchli. Disaster / The End of Days. Galerie Thaddaeus Ropac, Paris/Salzburg, March 2013: 36-37.
Jules de Balincourt: Parallel Universe. Collezione Maramotti, Silvana Editoriale, Milan, September 2012.
Diacono, Mario. Archetypes and Historicity: Paintings and Other Radical Forms 1995-2007, Collezione Maramotti/Silvana Editoriale, 2012: 289-291, ill. 90, 91.
Nickas, Bob. Catalogue of the Exhibition 1984-2011, 2nd Cannons Publications, Los Angeles, 2011.
Milliard, Coline. Vitamin P2: New Perspectives in Painting, Phaidon Press Limited, London, 2011: 38-41.
Johnson, Ken. Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art, New York: Prestel USA, June 2011.
Mori Art Museum Project 011: Jules de Balincourt, Mori Art Museum, Tokyo, 2010.
McSweeney’s 36, San Francisco: McSweeney’s 2010: book cover and interior box art.
art actuel, “Jules De Balincourt,” July-August, 2010: 48.
Diacono, Mario, “Transitions. Painting at the (other) End of Art,” Collezione Maramotti, 2009.
Halliwell. Martin and Catherine Morley, American Thought and Culture in the Twenty First Century, Edinburgh University Press, 2009.
Harmon, Katharine, The map as art : contemporary artists explore cartography Princeton Architectual Press, 2009: book cover and p. 59.
New York Minute: Sixty Artists on the New York Scene. New York: O.H.W.O.W., 2009.
Nickas, Bob, Painting Abstraction: New Elements in Abstract Painting, London: Phaidon, 2009.
Selby, Aimee, Art and Text, Black Dog Publishing, 2009: 91, 143.
Simon, Jane (et al.), Return to Function, Madison: Madison Museum of Contemporary Art 2009: 12.
Art: Over 2,500 Works from Cave to Contemporary, DK Publishing, 2008.
Bourriaud, Nicolas, Jules de Balincourt: Malpais, Paris: Galerie Thaddaeus Ropac, 2008.
Danto, Arthur and Matthew Higgs, Ivan Karp, Artists of Invention, California College of the Arts, 2008.
King, Ross, Art: The Definitive Visual Guide, DK Publishing, 2008: 395, 594.
Nickas, Bob, Theft is vision, Zurich: JRP/Ringier, 2008.
Signs of the Apocalypse/Rapture, Chicago: Front Forty Press, 2008.
Pasternak, Anne and Lucy Lippard, Creative Time: The Book, Princeton: Princeton Architectural Press, 2008.
Art in America: 300 Years of Innovation, Shanghai: Shanghai Museum, 2007.
Phantasmania. Kansas City, MO: Kemper Museum of Contemporary Art, 2007.
Hsu, Helen, Art in America Now, Shanghai: Museum of Contemporary Art, 2007: 89.
Poets on Painters, Wichita, KS: Ulrich Museum of Art, 2007.
Prague Biennial 3, Prague: Prague Biennial, 2007.
Mullins, Charlotte, Painting People: Figure Painting Today, London: Thames and Hudson, 2006.
New York Contemporary: Art Times Squared. Salzburg: Hangar 7, 2006.
Notre Histoire, Paris: Palais de Tokyo, 2006.
USA Today: New American Art from the Saatchi Gallery, London: Royal Academy of Art, 2006.
de Balincourt, Jules, Personal Survival Doom Buggy: Users Manual and Equipment Guide, New York: Zach Feuer Gallery, 2005.
Biesenbach, Klaus, Greater New York 2005, New York: P.S.1 Contemporary Art Center/MoMA,2005: 74-75.
Deitch, Jeffrey and Kathy Grayson, Live Through This: New York 2005, New York: Deitch Projects, 2005.
Lilja, Martin, Kristian Bengtsson, and Amy Giunta, Loyal and His Band, Stockholm: Loyal AB, 2005.
Nickas, Bob, Jules de Balincourt, New York: Volume Gallery, 2005.
Nickas, Bob, Collection (Or How I Spent a Year), Zurich: JRP/Ringier, 2004.
Rhode Island School of Design, Providence, RI
University of Pennsylvania, Philadelphia, PA
Brooklyn College, Brooklyn, NY
Columbia University, New York, NY
Brigham Young University, Provo, UT
Michigan State University, East Lansing, MI
Pratt Institute, Brooklyn, NY
Virginia Commonwealth University, Richmond, VA
Vanderbilt University, Nashville, TN
University of Tennessee, Knoxville, TN
Kansas City Art Institute, Kansas City, MO
Yale University, New Haven, CT
University of Chicago, Chicago, IL
California College of Art, San Francisco, CA
School of Visual Arts, New York, NY
New York University, New York, NY